Picking up right where "Wolves of the Calla" left off, our heroes Roland, Eddie, Jake, and the relative newcomer Father Callahan prepare for yet another sojourn out of Roland's world and into ours. Right off the bat, though, things do not go quite as planned. A Beamquake shakes the foundations of all the worlds, and we learn that the Tower is in much greater jeopardy than we may have previously suspected. And as always, wherever Roland goes, gunplay is sure to follow, but this time, it's waiting for him... King's further explorations into the rich world of the Dark Tower are as rewarding as they ever were. The characters, by now, have become as comfortable as old friends. Still, there are new facets to be seen yet, and we get a closer look at each of them as the story goes on. It's very difficult to write about this latest installment without giving what makes it so different away completely. The events and revelations found in "Song of Susannah" are so central to the themes of the overall story, and yet revealing them here would entirely ruin the fun of discovering them as King has presented it. Some readers will doubtless dislike the road King has begun to travel as the story approaches its conclusion, but I am convinced that many more will absolutely love it. It is a credit to King's growth as a writer that he can even attempt this ambitious sort of storytelling, and more, that he can do it successfully... at least, so far. One thing is certain: love it or hate it, "Song of Susannah" is King's riskiest and most surprising work yet. One the one hand, he is taking one of the most overused plot elements in fiction -- the baby of uncertain parentage -- and making something original and interesting out of it. On the other, he is attempting something seen in modern fiction only rarely... a self-relexive work that engages the reader on multiple levels.
Sunday, March 7, 2010
"Song of Susannah" (The Dark Tower, Book 6) by Stephen King
Picking up right where "Wolves of the Calla" left off, our heroes Roland, Eddie, Jake, and the relative newcomer Father Callahan prepare for yet another sojourn out of Roland's world and into ours. Right off the bat, though, things do not go quite as planned. A Beamquake shakes the foundations of all the worlds, and we learn that the Tower is in much greater jeopardy than we may have previously suspected. And as always, wherever Roland goes, gunplay is sure to follow, but this time, it's waiting for him... King's further explorations into the rich world of the Dark Tower are as rewarding as they ever were. The characters, by now, have become as comfortable as old friends. Still, there are new facets to be seen yet, and we get a closer look at each of them as the story goes on. It's very difficult to write about this latest installment without giving what makes it so different away completely. The events and revelations found in "Song of Susannah" are so central to the themes of the overall story, and yet revealing them here would entirely ruin the fun of discovering them as King has presented it. Some readers will doubtless dislike the road King has begun to travel as the story approaches its conclusion, but I am convinced that many more will absolutely love it. It is a credit to King's growth as a writer that he can even attempt this ambitious sort of storytelling, and more, that he can do it successfully... at least, so far. One thing is certain: love it or hate it, "Song of Susannah" is King's riskiest and most surprising work yet. One the one hand, he is taking one of the most overused plot elements in fiction -- the baby of uncertain parentage -- and making something original and interesting out of it. On the other, he is attempting something seen in modern fiction only rarely... a self-relexive work that engages the reader on multiple levels.
"Wolves of the Calla" (The Dark Tower, Book 5) by Stephen King
It is in this book we see the characters finally work together as trained Gunslingers. Each of the characters has a pressing problem and hardship in their lives, and yet they must put them aside to help the children of the Calla . How these characters deal with their own monumental problems and act as true heroes at the same time is a reflection of the fact they have become true gunslingers, following Roland. King also takes the opportunity to let this book show us more of Roland's world and culture. I found the dance Roland did at the start of the book fascinating, and the society of goddess worshiping disk throwing women seemed like they might have walked out of the pages of Roman Mythology. King does a great job rounding the culture, and giving us views of the world just as if we were reading a historical fiction, instead of high fantasy. Wolves of the Calla, at 736 pages, is the longest yet of the series. But the length is justified as King takes time to create characters and places so real, you feel as if you might have been there before in some odd and half forgotten dream. He builds suspense to the final battle with the Wolves, and then makes that battle as fast, and horrible as any real war skirmish. Many complained about the references to pop culture, Kings other works, and aspects of the "real" world, but I thought they only served to make the idea of the Tower as an axis of reality more believable. Making himself a real, yet invisible character in the book gave me a little shiver, after all...if King is real in that world so am I and all his readers. Heh heh heh. It only served to make the sense of so many realities tied in one moment of fate more grand.
"Wizard and Glass" (The Dark Tower, Book 4) by Stephen King
"Wizard and Glass," Volume IV of Stephen King's fantasy/western "Dark Tower" series is even better than the three books which preceded it. I didn't think it would be possible to top "The Wastelands," Book III, but King has accomplished the task with great elan. The author's tremendous talents and consistency as a writer are evident here. I can only advise the reader not to begin this novel during a busy period in your life, as it will cause you to miss all sorts of deadlines. I really found it difficult to put this page-turner down. The novel opens with a wrap-up of the cliffhanger which began in Book Three, where bizarre Blaine, the psychotic, riddle- loving monorail tries to take the stoic Gunslinger and his companions on a suicide trip to a terminal destination. Given the dark humor, it's a really fun ride. The band of four...and a half, the Gunslinger, Eddie, Susannah, Jake and their talking dog-like pet, Oy the Bumbler, disengage from the wreckage of Blaine, and continue along the path of the Beam toward the Dark Tower. They finally take a rest, around a campfire, while Roland narrates the details of his quest, the whys and wherefores behind his decision to take this particular course. He tells the tragic tale of his lost love, Susan, and his beloved friends and companions Cuthbert and Alain, who all formed a magnificent Ka-tet, (King's word for a group of people drawn together by fate). These characters have been brought up in prior novels and all played a formidable role in Roland's past life...one which will haunt him to the ends of the changing world.
"The Waste Lands" (The Dark Tower, Book 3) by Stephen King
Stephen King's "The Waste Lands" is the third volume in the epic Dark Tower series and every bit as good, if not better, than the two preceding novels. The plot and character development improve with every page, and the action and suspense are nonstop. Gunslinger, Roland, and his two companions Susannah Dean, formerly the duo-personality Odetta Susannah Holmes and Detta Walker, and Eddie Dean, previously a drug addict and mule in New York City, at last begin their quest for the Dark Tower. Both Susannah and Eddie are in training and well on their way to becoming gunslingers. First, however, the threesome must defeat Mir, the gigantic, insane cyborg bear, called Shardik by the Great Old Ones. Mir guarded the Portal of the Bear, one of Twelve Portals which form the endpoints of the Beams. There are six Beams running between the Twelve Portals which mark the edges of Mid-World. The point where all Beams cross is the nexus of all worlds. The three backtrack along Mir's path and find the Beam, which should lead them to the center-point where the Dark Tower lies. One of the most important events in this book, and in the series, is the entry of Jake, the boy, into the circle of questing companions. Jake was introduced to the reader in Book One, "The Gunslinger." There had been a great paradox surrounding Jake's existence - the paradox of shifting realities. Had the boy died or was he still alive? Had he, in fact, ever really appeared in Mid-Earth? This paradox was slowly driving both Roland, in Mid-World, and Jake, back in New York City, insane. In a scene rich in symbolism, Jake is reborn into Roland's world with Susannah as his symbolic mother, Eddie as midwife and the Gunslinger as Jake's symbolic father.
Subscribe to:
Posts (Atom)
